Day 296- Conrad Marca-Relli- Broken Surfaces

It’s Day 296 and I really enjoyed today’s tribute piece.  I am still happy from my improv show last night today as well.  Join me in honoring Conrad Marca-Relli today.

Conrad Marca-Relli

Conrad Marca-Relli

Conrad Marca-Relli, the Woman of Samura (1958)

Conrad Marca-Relli, the Woman of Samura (1958)

Conrad Marca-Relli (born Corrado Marcarelli; June 5, 1913 Boston – August 29, 2000 Parma) was an American artist who belonged to the early generation of New York School Abstract Expressionist artists whose artistic innovation by the 1950s had been recognized across the Atlantic, including Paris. New York School Abstract Expressionism, represented by Jackson Pollock,Willem de Kooning, Franz Kline, Marca-Relli and others became a leading art movement of the postwar era.

Marcarelli (he changed the spelling later in life) was born in Boston and, with his father

Untitled Collage- Conrad Marca-Relli

Untitled Collage- Conrad Marca-Relli

Cosimo, brother Ettore, and sisters Dora and Ida, moved to New York City when he was 13. In 1930 he studied at the Cooper Union for a year. He later supported himself by working for the Works Progress Administration, first as a teacher and then with mural painting divisions of the Federal Art Project during this period he won the Logan Medal of the arts. He served in the US Army military service during World War II (1941–1945).

Marca-Relli taught at Yale University from 1954 to 1955 and from 1959 to 1960, and at the University of California at Berkeley. In 1953, he bought a house near Jackson Pollock’s home in Springs, East Hampton. As his career progressed, he increasingly distanced himself from the New York School.

Conrad Marca-Relli

Conrad Marca-Relli

He lived and worked in many countries around the world, moving to Parma, Italy with his wife, Anita Gibson, whom he married in 1951. Conrad Marca-Relli died on August 29, 2000, in Parma, at the age of 87.

After the war Marca-Relli joined the “Downtown Group” which represented group of artists who found studios in lower Manhattan in the area bounded by 8th and 12th street between First and Sixth Avenues during the late 1940s and early 1950s. During the late 1940s and early 1950s, he was actively involved in the avant-garde art world in Greenwich Village. These artists were called the “Downtown Group” as opposed to the “Uptown Group” established during the war at The Art of This Century Gallery.

His first one-man show was in New York City in 1948. In 1949 Marca-Relli was

Conrad Marca-Relli

Conrad Marca-Relli

among the founders of the “Artists’ Club” located at 39 East 8th Street. He was selected by his fellow artists to show in the Ninth Street Show held on May 21-June 10, 1951. The show was located at 60 East 9th Street on the first floor and the basement of a building which was about to be demolished.

The artists celebrated not only the appearance of the dealers, collectors and museum people on the 9th Street, and the consequent exposure of their work but they celebrated the creation and the strength of a living community of significant dimensions.

Conrad Marca-Relli

Conrad Marca-Relli

Conrad Marca-Relli was among the 24 out of a total 256 New York School artists included in the Ninth Street Show and in all the following New York Painting and Sculpture Annuals from 1953 to 1957. These Annuals were important because the participants were chosen by the artists themselves.

Marca-Relli’s early cityscapes, still lifes, circus themes and architectural motifs are reminiscent of Italian surrealist painter Giorgio de Chirico. Throughout his career, Marca-Relli created monumental-scale collages. He combined oil painting and collage, employing intense colors, broken surfaces and expressionistic spattering. He also experimented with metal and vinyl materials. Over the years the collages developed an abstract simplicity, evidenced by black or somber colors and rectangular shapes isolated against a neutral backdrop.

In 1967, the Whitney Museum of American Art gave him a retrospective show.

The Dressmaker- Conrad Marca-Relli

The Dressmaker- Conrad Marca-Relli

The Archivio Marca-Relli, which was established by the artist and Galleria d’arte Niccoli in Parma in 1997, collects informations about Conrad Marca-Relli and archives his work for a future general catalogue.

Biography is from wikipedia.

I hope you enjoy my piece today!  Marca-Relli’s artwork and collages are so inspiring that I became a little overwhelmed with what exactly I wanted to do.  I knew I wanted to do a collage…but what colors? What materials?  I am happy with how it turned out. I will see you tomorrow on Day 297!

Best,

Linda

L'inverno è Vicino- Tribute to Conrad Marca-Relli Linda Cleary 2014 Mixed-Media on Canvas

L’inverno è Vicino- Tribute to Conrad Marca-Relli
Linda Cleary 2014
Mixed-Media on Canvas

Side-View L'inverno è Vicino- Tribute to Conrad Marca-Relli Linda Cleary 2014 Mixed-Media on Canvas

Side-View
L’inverno è Vicino- Tribute to Conrad Marca-Relli
Linda Cleary 2014
Mixed-Media on Canvas

Close-Up 1 L'inverno è Vicino- Tribute to Conrad Marca-Relli Linda Cleary 2014 Mixed-Media on Canvas

Close-Up 1
L’inverno è Vicino- Tribute to Conrad Marca-Relli
Linda Cleary 2014
Mixed-Media on Canvas

Close-Up 2 L'inverno è Vicino- Tribute to Conrad Marca-Relli Linda Cleary 2014 Mixed-Media on Canvas

Close-Up 2
L’inverno è Vicino- Tribute to Conrad Marca-Relli
Linda Cleary 2014
Mixed-Media on Canvas

Close-Up 3 L'inverno è Vicino- Tribute to Conrad Marca-Relli Linda Cleary 2014 Mixed-Media on Canvas

Close-Up 3
L’inverno è Vicino- Tribute to Conrad Marca-Relli
Linda Cleary 2014
Mixed-Media on Canvas

2 thoughts on “Day 296- Conrad Marca-Relli- Broken Surfaces

  1. Hi LInda
    Another really interesting artist about whom I knew nothing. Sorry to be so un-inventive with the language of my response, late at night here, but appreciation is full on. I on occasion gone back through the archives of your project.There have been so many new encounters for me, and the last 3 or four days have been of artists that I have had to follow up.
    This project of yours has been so instructive, a learning curve for those of us fortunate enough to have found your site.
    Thanks again, Nancy.

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