It’s Day 172 and I did my painting early this morning so that I could hang out with my friend Joey and hubby to work on Commander Quacks songs for the musical episode. It sure is fun writing music for puppets! Join me in honoring Gerard Schneider today!
Gérard Ernest Schneider (1896–1986) was a Swiss painter.
A major pioneer of Lyrical Abstraction, a gestural and personal form of abstraction,
along with Hans Hartung and Pierre Soulages, Gérard Schneider was shown in Paris at the Galerie Louis Carré as early as 1950.
From 1955 to 1960, Schneider’s work was exhibited at the famous Kootz Gallery in New York where an exclusivity contract connected the artist and the major American dealerSamuel Kootz.
From gesture, “the shape is born, whether lyrical or dramatic, with its colour and technical means, without any reference to external nature” according to Schneider.
Eugène Ionesco even spoke of “the original, eruptive, richness” of his work.
From nervous gesture and volcanic composition, full of tension, of the 1950s followed “the light years” from Michel Ragon’s expression, which were marked by the balance of forms reflecting each other and the explosion of colour. “Painting should be looked in the same way as music is listened to” as Schneider enjoyed saying.
Musical, his work is to be understood like “an orchestra” which expresses “passion, fury, romanticism“ according to Michel Ragon.
Biography is from wikipedia.
Like all the lyrical abstractionist paintings I’ve experienced and completed, I really enjoyed the process of creating this piece. I love the freedom of form and relaxation pieces like this bring to me. All I do is concentrate on colors and brushstrokes. You can really do no wrong. Such a meditative experience! I hope you enjoy this piece and I’ll see you tomorrow on Day 173. Best, Linda