It’s Day 222 and I loved painting today’s piece. I was a little intimidated at first because I wasn’t exactly sure what I wanted to do, but once I figured out a concept I got excited. Please join me in honoring Francesco Clemente today! I just absolutely love this man’s artwork!
Francesco Clemente (born in Naples March 23, 1952) is an Italian contemporary artist. His work is influenced by thinkers as diverse as Gregory Bateson, William Blake, Allen Ginsberg, and J Krishnamurti. Dividing his time between New York and Varanasi, India, Clemente has adopted for his paintings a vast variety of supports and mediums, exploring, discarding, and returning to oil paint, watercolor, pastel, and printmaking. His work develops in a non-linear mode, expanding and contracting in a fragmentary way, not defined by a style, but rather by his recording of the fluctuations of the self.
Clemente’s work spans four decades. His work is stylistically varied, inclusive, erotic,
and nomadic. It embraces diverse mediums and diverse cultures as well, aiming at finding wholeness through fragmentation and witnessing the survival of contemplation and pleasure in our mechanical age.
Clemente’s work is rooted in political utopia and expresses an anti-materialistic stance. In the 1970s he moved from photography to drawing and anticipated the return to painting of the 1980s.
Clemente’s work is nomadic. In the 1980s he divided his time between India and New York. While briefly associated with Neo-Expressionism he took an interest in collaborative works both with Indian craftsmen and with painters like Basquiat and Warhol, and poets like Robert Creeley and Ginsberg in New York. In an interview with The Brooklyn Rail, Clemente commented “these poets had been looking at the East for inspiration and I was also anxious to evade the materialism of the West.”
In the 1990s Clemente’s work explored intensely erotic imagery, inspired by the Tantra
traditions both of India and Tibet, and turning contemporary preoccupations with identity and sexuality into an occasion to ask questions about the nature of the self.
In the 2000s Clemente’s work went through a darker and grotesque phase, returning in the last years to luminous images of repose and transformation.
Since the 1980s until today Clemente also chronicled New York intellectual and social life through a great number of portraits, contributing to the revival of a genre until then somehow discredited.
Clemente’s art has been presented in solo and group shows internationally. Major
retrospectives have been held in the 1990s at the Philadelphia Museum of Art, at The Royal Academy in London, at the Centre Pompidou, Paris and at the Sezon Museum of Art, Tokyo. Clemente’s art was also featured in 1999-2000 at the Solomon R Guggenheim Museum, New York, and at the Guggenheim Museum, Bilbao. In the 2000s retrospectives were held at the Irish Museum of Modern Art in Dublin, at the Museo MADRE, Naples and at the Schirn Kunsthalle, Frankfurt. An exhibition of self-portraits and of Clemente’s own version of the Tarot Cards was held at the Uffizi Gallery, Florence in 2011.
The artist is currently represented by Bruno Bischofberger in Switzerland and BlainSouthern in London and Mary Boone Gallery in New York.
Clemente’s work is featured in the 1998 movie, Great Expectations_(1998_film).
Francesco Clemente is a member of the American Academy of Arts and Letters.
Biography is from wikipedia.
I hope you enjoy my piece today and I will see you tomorrow on Day 223!