It’s Day 106 and I am getting a cold, but spent the whole day dealing with the house painters today. It was door and porch day so I had to quarantine the dogs in the back rooms and keep all the doors open. Tomorrow will be touch ups and so it’ll be the same for at least half the day. I’m exhausted and hopefully will be able to rest a bit tomorrow after the painters leave. But my house looks great! I was still able to paint a nice painting today in honor of Ad Reinhardt!
Adolph Frederick Reinhardt (“Ad” Reinhardt) (December 24, 1913 – August 30, 1967) was an Abstract painter active in New York beginning in the 1930s and continuing through the 1960s. He was a member of the American Abstract Artists and was a part of the movement centered on the Betty Parsons Gallery that became known as Abstract Expressionism. He was also a founding member of the Artist’s Club. He wrote and lectured extensively on art and was a major influence on conceptual art, minimal art and monochrome painting. Most famous for his “black” or “ultimate” paintings, he claimed to be painting the “last paintings” that anyone can paint. He believed in a philosophy of art he called Art-as-Art and used his writing and satirical cartoons to advocate for abstract art and against what he described as “the disreputable practices of artists-as-artists”.
Reinhardt was born in Buffalo, New York, and lived with his family in the Riverside
section along the Niagara River. His cousin Otto and he were close, as well as the extended family, but work took his father to New York City. He later studied art history at Columbia University, where he was a close friend of Robert Lax and Thomas Merton. The three developed similar concepts of simplicity in different directions. Reinhardt considered himself a painter from a very early age and began winning prizes for painting in grade school and high school. Feeling that he had already acquired all the technical skills in high school he turned down scholarships at art schools and accepted a full scholarship at Columbia University which he attended from 1931 to 1935. He took painting classes as an undergraduate at Columbia’s Teachers College and after graduation began to study painting with Carl Holty and Francis Criss at the American Artists School, while simultaneously studying portraiture at the National Academy of Design under Karl Anderson.
Upon finishing college he was accredited as a painter by Burgoyne Diller, which allowed him to work from 1936 until 1940 for the WPA Federal Art Project, easel division. Sponsored by Holty he became a member of the American Abstract Artists group, with whom he exhibited for the next decade. Reinhardt described his association with the group as “one of the greatest things that ever happened to me”.
He participated in group exhibitions at the Peggy Guggenheim Gallery, and he had his
first one man show at the Artists Gallery in 1943. He then went on to be represented by Betty Parsons, exhibiting first at the Wakefield Bookshop, the Mortimer Brandt Gallery and then when Parsons opened her own gallery on 57th street. Reinhardt had regular solo exhibitions yearly at the Betty Parsons Gallery beginning in 1946. He was involved in the 1940 protest againstMoMA, designing the leaflet that asked How modern is the Museum of Modern Art? His works were displayed regularly throughout the 1940s and 1950s at the Annual Exhibitions held at the Whitney Museum of American Art. He was also part of the protest against the Metropolitan Museum of Art in 1950 which became known as “The Irascibles.”
Having completed his studies at the New York University Institute of Fine Arts, Reinhardt
became a teacher at Brooklyn College in 1947 and taught there until his death in 1967. He also taught at the California School of Fine Arts in San Francisco, the University of Wyoming, Yale University and Hunter College, New York.
The Ad Reinhardt Estate is represented by David Zwirner Gallery, New York.
Reinhardt’s earliest exhibited paintings avoided representation, but show a steady progression away from objects and external reference. His work progressed from compositions of geometrical shapes in the 1940s to works in different shades of the same color (all red, all blue, all white) in the 1950s. Reinhardt is best known for his so-called “black” paintings of the 1960s, which appear at first glance to be simply canvases painted black but are actually composed of black and nearly black shades. Among many other suggestions, these paintings ask if there can be such a thing as an absolute, even in black, which some viewers may not consider a color at all.
Biography is from wikipedia.
I really enjoyed painting my blue and black piece today. It’s inspired me to do a larger piece with different shades of the same color. It was an interesting experience that I would’ve never experienced otherwise! I hope you enjoy my piece and I’ll see you tomorrow on Day 107. Best, Linda