Day One-Hundred and One- Wayne Thiebaud- Staring at Objects

It’s Day 101!  Only 264 paintings to go.  Whew.  I am finding that I’m more inspired with experimenting with bigger paintings and starting to lose steam on my daily paintings.  But the challenge of these daily paintings is what is sparking my inspiration for doing larger pieces!  So of course I’m not going to stop!  Join me in celebrating Wayne Thiebaud today!

WayneThiebaud

Wayne Thiebaud

Wayne Thiebaud

Wayne Thiebaud (born November 15, 1920) is an American painter best known for his colorful works depicting commonplace objects—pies, lipsticks, paint cans, ice cream cones, pastries, and hot dogs—as well as for his landscapes and figures. He is associated with the Pop art movement because of his interest in objects of mass culture, although his early works, executed during the fifties and sixties, slightly predate the works of the classic pop artists. Thiebaud uses heavy pigment and exaggerated colors to depict his subjects, and the well-defined shadows characteristic of advertisements are almost always included in his work.

Wayne Thiebaud was born to Mormon parents in Mesa, Arizona, U.S.A.. His family

Wayne Thiebaud

Wayne Thiebaud

moved to Long Beach, California when he was six months old. One summer during his high school years he apprenticed at the Walt Disney Pictures Walt Disney Studio making “in-betweeners” of Goofy, Pinocchio, and Jiminy Cricket making $14 a week. The next summer he studied at the Frank Wiggins Trade School in Los Angeles. From 1938 to 1949, he worked as a cartoonist and designer in California and New York. He served as an artist in the First Motion Picture Unit of the United States Army Air Forces from 1942 to 1945.

Wayne Thiebaud

Wayne Thiebaud

In 1949, he enrolled at San Jose State College (now San Jose State University) before transferring to Sacramento State College (now California State University, Sacramento), where he earned a bachelor’s degree in 1951 and a master’s degree in 1952.

Thiebaud subsequently began teaching at Sacramento City College. In 1960, he became assistant professor at the University of California, Davis, where he remained through the 1970s and influenced numerous art students. Thiebaud did not have much of a following among Conceptual artists because of his adherence to basically traditional disciplines, emphasis on hard work as a supplement to creativity, and love of realism. Occasionally, he gave pro bono lectures at U.C. Davis.

On a leave of absence during 1956–57, he spent time in New York City, where he became friends with Elaine and Willem de Kooning and

Wayne Thiebaud

Wayne Thiebaud

Franz Kline, and was much influenced by these abstractionists as well as by proto-pop artists Robert Rauschenberg and Jasper Johns. During this time, he began a series of very small paintings based on images of food displayed in windows, and he focused on their basic shapes.

Returning to California, he pursued this subject matter and style, isolating triangles, circles, squares, etc. He also co-founded the Artists Cooperative gallery, now Artists Contemporary Gallery, and other cooperatives including Pond Farm, having been exposed to the concept of cooperatives in New York.

In 1960, he had his first solo show in San Francisco at the San Francisco Museum of Modern Art, and shows in New York City at the Staempfli and Tanager galleries. These shows received little notice, but two years later, a 1962 Sidney Janis Gallery exhibition in New York officially launched Pop Art, bringing Thiebaud national recognition, although he disclaimed being anything other than a painter of illusionistic form.

Wayne Thiebaud

Wayne Thiebaud

In 1961, Thiebaud met and became friends with art dealer Allan Stone (1932–2006), the man who gave him his first “break.” Stone was Thiebaud’s dealer until Stone’s death in 2006. Stone said of Thiebaud “I have had the pleasure of friendship with a complex and talented man, a terrific teacher and cook, the best raconteur in the west with a spin serve, and a great painter whose magical touch is exceeded only by his genuine modesty and humility. Thiebaud’s dedication to painting and his pursuit of excellence inspire all who are lucky enough to come in contact with him. He is a very special man.” After Stone’s death, Thiebaud’s son Paul Thiebaud (1960–2010) took over as his dealer. Paul Thiebaud was a successful art dealer in his own right and had eponymous galleries in Manhattan and San Francisco; he died June 19, 2010.

In 1962, Thiebaud’s work was included, along with Roy Lichtenstein, Andy Warhol, Jim Dine,

Wayne Thiebaud

Wayne Thiebaud

Phillip Hefferton, Joe Goode, Edward Ruscha, and Robert Dowd, in the historically important and ground-breaking “New Painting of Common Objects,” curated by Walter Hopps at the Pasadena Art Museum (now the Norton Simon Museum of Art at Pasadena). This exhibition is historically considered one of the first Pop Art exhibitions in America. These painters were part of a new movement, in a time of social unrest, which shocked America and the art world.

Wayne Thiebaud

Wayne Thiebaud

In 1963, he turned increasingly to figure painting: wooden and rigid, with each detail sharply emphasized. In 1964, he made his first prints at Crown Point Press, and has continued to make prints throughout his career. In 1967, his work was shown at the Biennale Internationale.

Wayne Thiebaud has been married twice. With his first wife, Patricia Patterson, he produced two children, one of whom is the model and writer Twinka Thiebaud. With his second wife, Betty Jean Carr, he had a son, Paul LeBaron Thiebaud, who became an art dealer. He also adopted Betty’s son, Matthew.

Thiebaud is well known for his paintings of production line objects found in diners and cafeterias, such as pies and pastries. As a young man in Long Beach, he worked at a cafe named Mile High and Red Hot, where “Mile High” was ice cream and “Red Hot” was a hot dog.

He was associated with the Pop art painters because of his interest in objects of mass culture, however, his works, executed during the fifties and sixties, slightly predate the works of the classic pop artists, suggesting that Thiebaud may have had an influence on the movement. Thiebaud uses heavy pigment and exaggerated colors to depict his subjects, and the well-defined shadows characteristic of advertisements are almost always included in his work.

In addition to pastries, Thiebaud has painted characters such as Mickey Mouse as well as landscapes, streetscapes, and cityscapes, which

Wayne Thiebaud

Wayne Thiebaud

were influenced by the work of Richard Diebenkorn. His paintings such as Sunset Streets (1985) and Flatland River (1997) are noted for their hyper realism, and have been compared to Edward Hopper’s work, another artist who was fascinated with mundane scenes from everyday American life.

Thiebaud considers himself not an artist, but a painter. He is a voracious reader and is known for reading poetry to his students.

Biography is from wikipedia.

I hope you enjoy my tribute to the wonderful Wayne Thiebaud!  It was more challenging to paint than I thought it would be.  I think I would’ve done some colors differently if I were to do it again.  How could I not paint a ice cream cone clown?

See you tomorrow on Day 102!  I still feel like I have to celebrate Day 100 in some way. 😉 Best, Linda

Clown Cone- Tribute to Wayne Thiebaud Linda Cleary 2014 Acrylic on Canvas

Clown Cone- Tribute to Wayne Thiebaud
Linda Cleary 2014
Acrylic on Canvas

Side-View Clown Cone- Tribute to Wayne Thiebaud Linda Cleary 2014 Acrylic on Canvas

Side-View
Clown Cone- Tribute to Wayne Thiebaud
Linda Cleary 2014
Acrylic on Canvas

Close-Up 1 Clown Cone- Tribute to Wayne Thiebaud Linda Cleary 2014 Acrylic on Canvas

Close-Up 1
Clown Cone- Tribute to Wayne Thiebaud
Linda Cleary 2014
Acrylic on Canvas

Close-Up 2 Clown Cone- Tribute to Wayne Thiebaud Linda Cleary 2014 Acrylic on Canvas

Close-Up 2
Clown Cone- Tribute to Wayne Thiebaud
Linda Cleary 2014
Acrylic on Canvas

Close-Up 3 Clown Cone- Tribute to Wayne Thiebaud Linda Cleary 2014 Acrylic on Canvas

Close-Up 3
Clown Cone- Tribute to Wayne Thiebaud
Linda Cleary 2014
Acrylic on Canvas

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