Day 333- Bridget Bate Tichenor- Spiritual Guides

It’s Day 333 and I really enjoyed creating today’s piece.  I was stumped at first at what I wanted to paint, but when the ideas started flowing, I had a great time.  I also wanted to keep it somewhat simple, but also really capture the artist’s essence so to speak. 🙂  Join me in honoring Bridget Bate Tichenor.

Bridget Bate Tichenor

Bridget Bate Tichenor

Bridget Bate Tichenor

Bridget Bate Tichenor

Bridget Bate Tichenor (born Bridget Pamela Arkwright Bate on November 22, 1917 – died on October 20, 1990), also known as Bridget Tichenor or B.B.T., was a Mexican surrealist painter of fantastic art in the school of magic realism and a fashion editor. Born in Paris and of British descent, she later embraced Mexico as her home.

The mesmerizing story of the Magic Realist painter Bridget Bate Tichenor has never been told.  It is a riveting revelation of an extraordinary female artist who impacted the 20th Century world of fashion, art, and society, with enormous contributions.  Revealed are the intimacies and secrets of an outwardly beautiful, exotic, bold, and courageous, yet painfully shy and reclusive woman, who lived in extraordinary times, yet was unknown to her peers, colleagues, and the world at large.

Bridget lived in an astonishing way, in many contrasting countries, and in many revolutionary platforms. Her personal code of excellence has yet to be recognized or acknowledged, outside small and eccentric art circles. Bridget adhered to rarefied and noble standards of human pride, integrity, respect, discipline, and compassion.

Bridget Bate Tichenor, Líderes (Leaders) Close Up

Bridget Bate Tichenor, Líderes (Leaders) Close Up

She honored these humane traits above all else in life.  Bridget’s impeccable values, in tandem with her determination and prioritization to execute her artistic vision, are the essence of her story, and substantiates her historical value.

Bridget inherited a peripatetic world from her self-absorbed, famous, and creatively gifted parents. It fueled deep insecurities, and was equally fed by fears of abandonment. Subsequently, in order to survive, she reinvented herself by necessity, and chose to mold herself into whatever she needed at any given time.

Bridget’s mother, Vera Bate Lombardi (Sarah Gertrude Baring Arkwright Fitzgeorge Bate Lombardi) was an indomitable combination of beauty and bravado with the highest connections. From 1925-1939, Vera became Co Co Chanel’s muse and Public Relations liaison to several European Royal Families.

BRIDGET BATE TICHENOR (1917-1990) Gusanos y caracoles

BRIDGET BATE TICHENOR (1917-1990) Gusanos y caracoles

Her demeanor and style influenced the ‘English Look’, the very foundation for the House of Chanel. Vera Bate Lombardi’s mother was Rosa Frederica Baring of the Baring Banking family, who had rescued the British Royal family during difficult economic times. Vera was allegedly an illegitimate descendent of George III, through her reputed father, HRH Prince Adolphus Cambridge, 1st Marquess of Cambridge Duke of Teck. She was presented socially as Fitzgeorge, as she was the unadopted daughter of her stepfather, the morganatic and bastard Colonel Fitzgeorge, son of Prince George, Duke of Cambridge and his mistress Sarah Louisa Fairbrother.

Chanel craved Vera’s immense popularity and privileged patrician heritage, however shrouded in controversial

Bridget Bate Tichenor

Bridget Bate Tichenor

royal illegitimacies. Chanel came from humble beginnings, and was decidedly uneducated. She looked to Vera as a ‘social advisor’, who would be responsible for her societal launch and business triumph. It was evident that Chanel’s personal identity had been tragically dehumanized and shamed as an orphan, and she systematically absorbed Vera’s exotic mannerisms, from gestures to stance, with Cambridge and Oxford intonations, in a scheming and arrogant self-reinvention of entitlement.

Lombardi was a flawless British Royal Fashion icon to Chanel, and Chanel shamelessly used her to establish her fashion-identity-template, which became the legendary Chanel brand. Years later, Vera, retaliated against Chanel’s ruthless jealousies and manipulations, and exposed her as a Nazi spy to her cousin Sir Winston Churchill in Spain circa 1944. This disclosure shattered Chanel’s reputation for many years.

La Caja de Cristal- Bridget Bate Tichenor

La Caja de Cristal- Bridget Bate Tichenor

Until now, Vera Bate Lombardi has been relatively obscured in Chanel’s literary and film biographies. Chanel cunningly perpetuated her adapted character identity, and concealed the truths of her business cornerstone. What had begun as flattery for Vera, terminated in disgust.

Bridget’s father, Frederick Blantford Bate, was born in Virginia but lived in England for over 20 years, working as a British representative for NBC during World War I. Bate was a Mechanical Officer in the US Army, who, in 1916, was instrumental in establishing The Field Service of American Ambulance in Paris. Bate was an intimate friend of Vera’s cousin, the Duke of Windsor. He was the first news correspondent to receive the story of the Duke’s abdication and marriage to Wallis Simpson, and contacted his associate, Alistair Cooke, in the UK to broadcast it.

The beautiful, noble, artistic, and rich are patently different, often misunderstood or condemned, yet granted societal privileges few receive. These very qualities that embodied Bridget’s unique style, influenced and were

Bridget Bate Tichenor

Bridget Bate Tichenor

copied by some of the greatest names of the 20th century such as her rivals Diana Vreeland and Frida Kahlo. She was loved and envied, but most importantly, awe-inspiring to Man Ray, Diego Rivera, Ernst Lubitsch, James Whale, Laurence Olivier, Anais Nin, Greta Garbo, and Joan Crawford.

Bridget had an amazing, yet tragic, multidimensional life, which included an arranged marriage, true love, romantic and professional rivalry, artistic achievement, mysticism, fantasy, perfectionism, and shattered dreams. All of which were played out in the most glamorous settings, with famous personalities and eccentric nobility that she orchestrated in a dramatic metaphysical theater of remarkable relationships.

She was difficult to get to know, guarded, and very secretive. She revealed certain things to socially survive, while withholding her poetically rich emotional and spiritual communications to focus through her dedicated relationship with her sacred and sovereign art. She had a genius gift of observation and execution in cryptic detail, both in her character and painting.

Bridget Bate TIchenor

Bridget Bate TIchenor

Her controversial royal illegitimate background overshadowed her profound artistry and her sense of self worth.  In her era and society, it was important to be of royal lineage. Her achievement in the art world was diminished by who she was as an illegitimate royal family member, her ravishing beauty, her refined intelligence, and her commanding personality. Her controversial background was more important and interesting to her friends, which graciously made her celebrated and received on one hand, yet made her hide how great an artist she was on the other and never acknowledged. This is why she was so shy about showing who she was as a superlative painter.

She compartmentalized her life. She was deathly afraid to remove her complex multiple masks and reveal not only her precious art, but also her deepest intimate feelings to others. She was validated only by those relationships that had a higher profile than she, so that she could retreat behind her provocatively mysterious and seductive persona to hide her acute vulnerability.

She was difficult to get to know, guarded, and very secretive.  She revealed certain things to socially survive, while withholding her poetically rich emotional and spiritual communications to focus through her dedicated

Bridget Bate Tichenor

Bridget Bate Tichenor

relationship with her sacred and sovereign art.

Bridget spiritually adopted me and I became her protégé in 1971. Among her many gifts, she benevolently trained me in painting and introduced me to ancient occult religions, which included many lost esoteric sciences of Egyptian, Tantrika, and Mesoamerican Magick and Alchemy. She fed my hunger to learn, and I became her consummate student in a world that had received a death rattle to classically trained artists.

Just before her death, I promised my dear friend and genius mentor Bridget that the world would know who she was. One of the legacies she gave to me were her life stories. I began to document Bridget’s life in 1990 shortly after her death, recording her extensive and detailed personal accounts that she imparted to me over the nineteen years of our relationship. The following biography is a small part of my promise that perpetuates the significance of her life.

-Zachary Selig-

Biography is from www.bridgetbatetichenor.com.

I hope you enjoy my piece today!  I really had a blast painting it.  I will see you tomorrow on Day 334.

Best,

Linda

Bienvenidos a mi Reencarnación- Tribute to Bridget Bate Tichenor Linda Cleary 2014 Acrylic on Canvas

Bienvenidos a mi Reencarnación- Tribute to Bridget Bate Tichenor
Linda Cleary 2014
Acrylic on Canvas

Side-View Bienvenidos a mi Reencarnación- Tribute to Bridget Bate Tichenor Linda Cleary 2014 Acrylic on Canvas

Side-View
Bienvenidos a mi Reencarnación- Tribute to Bridget Bate Tichenor
Linda Cleary 2014
Acrylic on Canvas

Close-Up 1 Bienvenidos a mi Reencarnación- Tribute to Bridget Bate Tichenor Linda Cleary 2014 Acrylic on Canvas

Close-Up 1
Bienvenidos a mi Reencarnación- Tribute to Bridget Bate Tichenor
Linda Cleary 2014
Acrylic on Canvas

Close-Up 3 Bienvenidos a mi Reencarnación- Tribute to Bridget Bate Tichenor Linda Cleary 2014 Acrylic on Canvas

Close-Up 3
Bienvenidos a mi Reencarnación- Tribute to Bridget Bate Tichenor
Linda Cleary 2014
Acrylic on Canvas

 

Day 109- David Lynch- Attracted to Absurdity

It’s Day 109 and I was super excited to paint a tribute to David Lynch…one of my all time favorite directors, artists…well, everything!  I was a little trapped in the garage since guys are here installing a new bathroom fan and switches for the sconces etc.  But it worked out fine.  The dogs are still locked in there as the guys finish up so I thought I’d finish my blog.  Join me in celebrating the great man that is David Lynch.

David Lynch LOS ANGELES,CA - SEPTEMBER 11,2009: Filmmaker David Lynch with one of his new paintings, photographed at Griffin Gallery in Santa Monica,  September 11, 2009.

David Lynch
LOS ANGELES,CA – SEPTEMBER 11,2009: Filmmaker David Lynch with one of his new paintings, photographed at Griffin Gallery in Santa Monica, September 11, 2009.

Rain- David Lynch

Rain- David Lynch

David Keith Lynch (born January 20, 1946) is an American film director, television director, visual artist, musician and occasional actor. Known for his surrealist films, he has developed a unique cinematic style, which has been dubbed “Lynchian”, a style characterized by its dream imagery and meticulous sound design. The surreal, and in many cases, violent, elements contained within his films have been known to “disturb, offend or mystify” audiences.

Born to a middle-class family in Missoula, Montana, Lynch spent his childhood

David Lynch: Pete Goes To This Girlfriend's House

David Lynch: Pete Goes To This Girlfriend’s House

traveling around the United States, before going on to study painting at the Pennsylvania Academy of Fine Arts in Philadelphia, where he first made the transition to producing short films. Deciding to devote himself more fully to this medium, he moved to Los Angeles, where he produced his first motion picture, the surrealist horror Eraserhead (1977). After Eraserhead became a cult classic on the midnight movie circuit, Lynch was employed to direct The Elephant Man (1980), from which he gained mainstream success. Then being employed by the De Laurentiis Entertainment Group, he proceeded to make two films: the science-fiction epic Dune (1984), which proved to be a critical and commercial failure, and then a neo-noir crime film, Blue Velvet (1986), which was critically acclaimed.

Boy Lights Fire- David Lynch

Boy Lights Fire- David Lynch

Next, Lynch created his own television series with Mark Frost, the highly popular murder mystery Twin Peaks (1990–1991); he also created a cinematic prequel, Twin Peaks: Fire Walk with Me (1992), a road movie, Wild at Heart (1990), and a family film,The Straight Story (1999), in the same period. Turning further towards surrealist filmmaking, three of his subsequent films operated on “dream logic”, non-linear narrative structures: Lost Highway (1997), Mulholland Drive (2001) and Inland Empire(2006). Meanwhile, Lynch embraced the Internet as a medium, producing several web-based shows, such as the animation Dumbland (2002) and the surreal sitcom Rabbits (2002).

Over his career, Lynch has received three Academy Award nominations for Best

I See My Love- David Lynch

I See My Love- David Lynch

Director and a nomination for best screenplay. Lynch has won France’s César Award for Best Foreign Film twice, as well as the Palme d’Or at the Cannes Film Festival and aGolden Lion award for lifetime achievement at the Venice Film Festival. The French government awarded him the Legion of Honor, the country’s top civilian honor, as a Chevalier in 2002 and then an Officier in 2007, while that same year, The Guardian described Lynch as “the most important director of this era”. Allmovie called him “the Renaissance man of modern American filmmaking”, while the success of his films has led to him being labelled “the first popular Surrealist.”

Detail from Lynch's painting- Some of his paintings are 400-500 lbs!  To accommodate wiring, wood, etc.  Crazy huh?

Detail from Lynch’s painting- Some of his paintings are 400-500 lbs! To accommodate wiring, wood, etc. Crazy huh?

Lynch was born in Missoula, Montana on January 20, 1946.  His father, Donald Walton Lynch, was a research scientist working for the U.S. Department of Agriculture, and his mother, Edwina “Sunny” Lynch (née Sundholm), was an English language tutor whose grandfather’s parents had immigrated to the United States from Finland in the 19th century.  Lynch was raised a Presbyterian.  The Lynch family often moved around according to where the USDA assigned Donald. It was because of this that when he was two months old, David Lynch moved with his parents to Sandpoint, Idaho, and only two years after that, following the birth of his brother John, the family again moved, this time to Spokane, Washington. It was here that his sister Martha was born, before they once more moved, this time to Durham, North Carolina, then to Boise, Idaho and then to Alexandria, Virginia.  

Lynch found this transitory early life relatively easy to adjust to, noting that he found it fairly easy to meet new friends whenever he started

The Deformation Man: David Lynch's Chimerical Universe of Metamorphosis

The Deformation Man: David Lynch’s Chimerical Universe of Metamorphosis

attending a new school. Commenting on much of his early life, Lynch has remarked that “I found the world completely and totally fantastic as a child. Of course, I had the usual fears, like going to school … For me, back then, school was a crime against young people. It destroyed the seeds of liberty. The teachers didn’t encourage knowledge or a positive attitude.”  Alongside this schooling, he joined the Boy Scouts, although he would later note that he only “became one so I could quit, and put it behind me.” He rose to the highest rank of Eagle Scout. It was through being an Eagle Scout that he was present with other Boy Scouts outside of the White House at the inauguration of President John F. Kennedy, which took place on Lynch’s birthday in 1961.

Here I Am - Me as a House 1990- David Lynch

Here I Am – Me as a House 1990- David Lynch

Lynch had become interested in painting and drawing from an early age, becoming intrigued by the idea of pursuing it as a career path when living in Virginia, where his friend’s father was a professional painter. At Francis C. Hammond High School in Alexandria, Virginia, he did poorly academically, having little interest in school work, but was popular with other students, and after leaving decided that he wanted to study painting at college, thereby beginning his studies at School of the Museum of Fine Arts, Boston in 1964, where he was a roommate of Peter Wolf. Nonetheless, he left after only a year, stating that “I was not inspired AT ALL in that place”, and instead deciding that he wanted to travel around Europe for three years with his friend Jack Fisk, who was similarly unhappy with his studies at Cooper Union. They had some hopes that in Europe they could train with the expressionist painter Oskar Kokoschka at his school. Upon reaching Salzburg, however, they found that he was not available and, disillusioned, returned to the United States after spending only 15 days of their planned three years in Europe.

Lynch first trained as a painter, and although he is now better known as a filmmaker, he has also produced much painting work. Lynch has

Twin Peaks Mountain- David Lynch

Twin Peaks Mountain- David Lynch

stated that “all my paintings are organic, violent comedies. They have to be violently done and primitive and crude, and to achieve that I try to let nature paint more than I paint.” Many of his works are very dark in colour, and Lynch has described this as being because “I wouldn’t know what to do with [colour]. Colour to me is too real. It’s limiting. It doesn’t allow too much of a dream. The more you throw black into a colour, the more dreamy it gets … Black has depth. It’s like a little egress; you can go into it, and because it keeps on continuing to be dark, the mind kicks in, and a lot of things that are going on in there become manifest. And you start seeing what you’re afraid of. You start seeing what you love, and it becomes like a dream.”

David Lynch painting The Face, No. 31 / April 1991

David Lynch painting The Face, No. 31 / April 1991

Many of his works also contain letters and words added to the painting, something which he explains: “The words in the paintings are sometimes important to make you start thinking about what else is going on in there. And a lot of times, the words excite me as shapes, and something’ll grow out of that. I used to cut these little letters out and glue them on. They just look good all lined up like teeth … sometimes they become the title of the painting.”

Lynch considers the 20th-century Irish artist Francis Bacon to be his “number one kinda hero painter”, stating that “Normally I only like a couple of years of a painter’s work, but I like everything of Bacon’s. The guy, you know, had the stuff.”

Lynch was the subject of a major art retrospective at the Fondation Cartier, Paris from

Shadow of a Twisted Hand Across My House 1988- David Lynch

Shadow of a Twisted Hand Across My House
1988- David Lynch

March 3 – May 27, 2007. The show was titled The Air is on Fire and included numerous paintings, photographs, drawings, alternative films and sound work. New site-specific art installations were created specially for the exhibition. A series of events accompanied the exhibition including live performances and concerts. Some of Lynch’s art include photographs of dissected chickens and other animals as a “Build your own Chicken” toy ad.

Between 1983 and 1992, Lynch wrote and drew a weekly comic strip called The Angriest Dog in the World for the L.A. Reader. The drawings in the panels never change, just the captions.

Very partial biography from wikipedia.  I mainly focused on including his life story and painting oriented information.  The entry otherwise is huge!

I very much enjoyed painting this piece today.  And strangely enough, I randomly had a bunch of plastic babies I could use as a 3D effect.  I combined styles from different paintings.  I personally think his pieces are amazing.  I hope that I did a good job capturing his style and spirit and his work (as did his films in the past) inspired me as usual.  Enjoy and I’ll see you tomorrow on Day 110!  Best, Linda

Baby Bomb- Tribute to David Lynch Linda Cleary 2014 Acrylic, mixed media on Canvas

Baby Bomb- Tribute to David Lynch
Linda Cleary 2014
Acrylic, mixed media on Canvas

Side-View Baby Bomb- Tribute to David Lynch Linda Cleary 2014 Acrylic, mixed media on Canvas

Side-View
Baby Bomb- Tribute to David Lynch
Linda Cleary 2014
Acrylic, mixed media on Canvas

Close-Up 1 Baby Bomb- Tribute to David Lynch Linda Cleary 2014 Acrylic, mixed media on Canvas

Close-Up 1
Baby Bomb- Tribute to David Lynch
Linda Cleary 2014
Acrylic, mixed media on Canvas

Close-Up 2 Baby Bomb- Tribute to David Lynch Linda Cleary 2014 Acrylic, mixed media on Canvas

Close-Up 2
Baby Bomb- Tribute to David Lynch
Linda Cleary 2014
Acrylic, mixed media on Canvas

Close-Up 3 Baby Bomb- Tribute to David Lynch Linda Cleary 2014 Acrylic, mixed media on Canvas

Close-Up 3
Baby Bomb- Tribute to David Lynch
Linda Cleary 2014
Acrylic, mixed media on Canvas

Close-Up 4 Baby Bomb- Tribute to David Lynch Linda Cleary 2014 Acrylic, mixed media on Canvas

Close-Up 4
Baby Bomb- Tribute to David Lynch
Linda Cleary 2014
Acrylic, mixed media on Canvas